I was learning Star Wars The Clone Wars Board Game | A Pandemic System, and while setting up, I ended up reading the back side of the villain card just to understand the mechanics of the game. Is the back side supposed to be hidden information or just another phase of the game?
Fortnite developer Epic recently suggested the game might become available on iOS in the US for the first time since 2020 soon, but it’s now looking like that won’t be happening. Why? Well, Epic’s accusing Apple, its long-time sparring partner in an ongoing legal battle, of storeblocking.
As we reported last week, Epic CEO Tim Sweeney had launched a fresh effort to get Apple to agree to re-admit the game to its App Store following a judge issuing a pretty damning verdict against the fruit company in the latest legal skirmish between the two. This is all about payment options and the cut Apple takes of them via its store, with Epic having decided five years ago that this was something it wouldn’t stand for.
Epic CEO Tim Sweeney has claimed it originally submitted Fortnite for Apple to review on May 9 and then resubmitted a new version on May 14 in order to include a fresh update to the game. Now, the publisher’s put out the following statement via the official Fortnite Twitter account:
“Apple has blocked our Fortnite submission so we cannot release to the US App Store or to the Epic Games Store for iOS in the European Union. Now, sadly, Fortnite on iOS will be offline worldwide until Apple unblocks it.”
Sweeney himself has also been tweeting, declaring in one post: “Apple’s App Review team should be free to review all submitted apps promptly and accept or reject according to the plain language of their guidelines. App Review shouldn’t be weaponized by senior management as a tool to delay or obstruct competition, due process, or free speech.”
This all comes after that aforementioned court verdict, which saw Judge Yvonne Gonzalez Rogers rule that Apple was “in wilful violation” of previous court injunction that it had to allow purchases made for iOS games and apps through outside web links. It did, but then instituted a 27% commission on such purchases.
“Apple’s response to the Injunction strains credulity,” the court’s verdict read, “After two sets of evidentiary hearings, the truth emerged Apple, despite knowing its obligations thereunder, thwarted the injunction’s goals, and continued its anticompetitive conduct solely to maintain its revenue stream.”
We’ll just have to see how things go from here, as it looks like this fight is nowhere near a resolution that would see one victor left default dancing, or more realistically a bunch of suits going back to whatever else it is they do with their time.
Days Gone Remasterered Deacon Horde via IGDB
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Days Gone occupies a weird place in gaming culture. It sold nine million copies, but barely made a dent in day-to-day culture and gaming discussions. In a strange way, that makes it perfect for a remaster. Old fans get to replay the game optimized for PS5, while new ones can discover it for the first time.
A common criticism – and one that rings true, to an extent – is that Days Gone has an identity crisis. The open world exploration brings to mind Red Dead Redemption. The focus on biking is very Sons of Anarchy. The zombie apocalypse and day/night cycle bring to mind Dying Light, while the emotional beats are reminiscent of The Last of Us. However, Days Gone Remastered manages to feel distinct from all of these.
You play as Deacon St. John – a violent but ultimately good-hearted biker whose beloved wife, Sarah, dies in the opening hours of a zombie outbreak. Two years later, Deacon ekes out an existence living in the wilderness of Oregon, doing jobs for the various survivor camps dotted around the wilderness.
Gameplay largely consists of travelling around the countryside and abandoned towns, fighting freakers (Zombies, in classic “Not-using-the-Z-word” fashion) and human enemies, ranging from marauders to the deadly Rippers. There’s plenty of side content to enjoy, ranging from clearing outposts to taking down hordes of up to 500 freakers.
While taking down hordes seems impossible at first, it’s a huge moment when you clear your first one. It’s always fun to race through obstacles, waiting for the perfect moment to spring a trap.
Along the way, you’ll find various encampments filled with survivors, which offer an interesting, if ultimately shallow, morality system. Most camps will offer either guns or upgrades to your bike, and early on, you’ll be forced to choose whether to send any survivors you find to a work camp or one under martial law and run by a conspiracy nut. It’s a dilemma, but one that’s instantly solved as soon as you unlock the third camp. Lost Lake offers bike upgrades and guns, and quickly cements itself as the good option. While you might need to send survivors elsewhere from time to time, sending them here just feels right.
Compared to a lot of post-apocalyptic worlds, the Farewell Wilderness feels alive. Everywhere you go, you’ll see deer darting across the path, enemy camps, or survivors to rescue. Deacon will meet plenty of people he can interact with and do missions for. While none of the bonds feel as strong as one like Joel and Ellie’s, these characters still feel important and deep. You’ll see his annoyance at a happy-go-lucky addict, or his protectiveness of a mentally broken young woman. Missions are separated not just into what they are but who they focus on, so you can see these relationships progress; however, there are no choices to make here, and many of them are story-mandated, so you’ll complete most of them as you play the game.
The best new addition is Horde Assault mode, an endless game mode where you’ll face progressively bigger and bigger hordes until you eventually die. There are different zones for the mode, each of which thrusts you into a different section of the map. Unlike something like The Mercenaries it’s a frankly huge chunk of the map, and there’s no time limit – you just keep going until your inevitable death.
However, Days Gone Remastered isn’t quite as beautiful or as detailed as many of its contemporaries. It’s pretty, but doesn’t look as good as the games it emulates. The remaster improves the lighting, the number of enemies on screen, and the skybox is gorgeous, but it doesn’t quite look as good as it wants to. There are a few floating textures from time to time, or somewhat cheap visual effects.
As good as the story is, it does make an odd habit of cutting things out. Cutscenes will occasionally jump from Point A to Point C, going from cause to effect without showing us the action. Deacon will frequently discuss the bounties he’s picked up as if we’re supposed to know who they are.
There were also a few glitches – nothing major, but it was annoying to see an aura around a character. A few times, I saw freakers flying through the air or fighting with nothing while I took potshots at them. Most annoyingly was a recurring glitch where the music would play so loudly that it drowned out the dialogue. It only happened a few times, but it was always frustrating, despite the gorgeous soundtrack.
Overall, Days Gone Remastered is a fantastic, if flawed, game. It isn’t quite as good as the games it emulates, but if “It’s not The Last of Us” is a valid complaint, then it’s one you can throw at most titles. It’s a game that absolutely deserves your time, either as a replay or for the first time.
Published: Apr 30, 2025 12:01 pm