دسته: بازی‌های نقش‌آفرینی

  • When does school start again? Games for keeping kids entertained through the ‘end of summer slump’ — The Treehouse

    When does school start again? Games for keeping kids entertained through the ‘end of summer slump’ — The Treehouse



    Animal Upon Animal is fun for all ages including adults but is particularly popular with the four- to six-year-old crowd. In this game from Haba for 2-4 players, you compete to see who can stack all of your animals first. The stack you are building is shared (the French name of this game, ‘Pyramids Des Animaux’ may offer a better visual of what happens as the game progresses), which means you don’t have the luxury of setting up sturdy balancing positions for yourself. Everyone is dealt a hand of adorable wooden animal-shaped blocks. A crocodile block is placed in the center of the table and players take turns rolling the die and following the instructions.

    The instructions on the die are really quite ingenious for moving the game along in clever ways. You may be instructed to place one animal on top of the crocodile’s back, or you might see two animals on the die, meaning you have to place one after another. You can also be asked to give one of your pieces to someone else to place or have the other players choose which of your animals to place next (and they will invariably select one that is harder to balance). The final option is a picture of a crocodile, which means you can extend the base block to have a larger area to balance animals upon.

    The reason I think this game is particularly enjoyable for younger children starting school especially is because even if you make the tower fall, you don’t lose and the game doesn’t end. The maximum penalty if more than two fall off the pile is that you take two animals back into your hand and continue playing. This keeps the focus on dexterity, strategy, and making stacks of cute animals, and nicely swerves siblings blaming each other for quote ‘ruining the game’ or a fear of failure at a time when there are a lot of new expectations. (OK, I clearly have some some childhood Jenga tower collapse issues to explore but never mind that now). Haba games are great generally for this age group. Dragon’s Breath is another lovely Haba game that fans of Animal Upon Animal may enjoy.

    Games for very little ones

    And finally, even if they’re not ready for big school yet, that doesn’t mean they aren’t ready for gaming (some of my friends’ toddlers have attempted to prove this by taking out every game on the lowest shelf ready to play…).

    At this age, the focus for parents choosing games is about two things, really – replayability, and doing something that looks like what the big kids are doing, so the big kids’ game doesn’t get wrecked (for example, my three-year-old niece recently ripped the Candyland board clean in half, in the most impressive WWE style rage quit I’ve heard about in years. It would have been more impressive, I suppose, if I hadn’t been the one who bought it for her and if it hadn’t been my favourite game when I was her age. I hope she is not still doing that when she’s 30, but it was epic nonetheless).

    I know, you wouldn’t think there could be a game that would keep a two-and-a-half-year-old entertained, but there is actually an entire series of them by a lovely French toy and game company called Djeco. They have a whole host of adorable games that are both beautifully designed and suitable for toddlers, which is incredibly rare in the world of board games. These games look like a game and feel like a game, but are more about gamifying toddler skills like matching and sequencing and recognising colours. It’s really very clever and the history of this company originally had a child development focus. Add in materials and designs that appeal to a grown up aesthetic and these games are pretty great for everyone. We have several of their games in the shop and our games library but I will focus on Little Collect (in the first of the photos below).

    Little Collect is for ages 2.5 to 5. It’s a cooperative game for two players and takes about ten minutes… or as long as attention spans allow. The object of the game ostensibly is to follow picture instructions on the cards you draw until you have completed a scene on the game board. But beware! There is mild peril! The pastoral tableau of adorable bunnies eating peas and carrots can be disrupted. If you are unlucky enough to draw a fox card, one bunny must be ominously removed from your board. It can be returned on a later turn to complete the game, but still. Hey ho, circle of life. Sun rise, sun set. As sure as autumn follows summer, soon enough, even your littlest Little Connect player will be starting school too.

    And you know what that means: more time for gaming for you.



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  • Meet the GMs!

    Meet the GMs!


    With our roleplaying programme getting fully back up to speed later this month (more details here), we thought we would take the opportunity to introduce you to our team of professional Game Moderators. The brave souls you see below will be running various Seasons and one-shots for you over this year. If you’ve ever been involved with roleplaying sessions at the Treehouse, there’s a good chance you’ll recognise at least one of these faces, but consider this an opportunity to properly get acquainted. We’ve asked each of them to describe themselves in their own words – enjoy!

    Riley

    Riley (they/them) is one of the original GMs here at the Treehouse, co-creating the Solken project that kicked off our RPG work back in 2017. Since then they’ve run games in a huge variety of systems, including Apocalypse World, Lady Blackbird, Call of Cthulhu and Cortex Prime. They are always looking for a new challenge and love learning new systems. As well as running games, Riley is responsible for organising the motley crew below into something resembling a coherent schedule of games. Right now, they’re kicking off a home game of Pathfinder 2nd Edition and cooking up a hell of an apocalypse…

     

    Ashley

    Ashley (she/her) is another of our 2017 veteran GMs, having helped to run our Solkien project when it first launched, as well as a number of subsequent games using D&D 5e, Tales from the Loop and Things from the Flood. As our resident teenage mystery adventure pro, Ashley is always looking to dive into new short-form and one-shot adventures, particularly in Tales from the Loop and Things from the Flood. Right now, Ashley is cooking up some new mysteries for you to solve, whenever she’s not too busy dishing up food in the kitchen.

     

    James

    James (he/him) has been part of the roleplaying team since 2019. He joined us to close out the final Season of Solken in style, jumping into the part of Lord Torgan with about thirty minutes of prep! He’s since run several one-shots and CSI-style D&D game called On The Case. His planned follow-up, a Monster Hunter riff called Into the Reach, was cruelly cancelled by the first lockdown last year – at least, for now. Recently James has had his head buried in the Warhammer Fantasy Roleplaying 4th Edition book, though the sheer number of tables involved means he’s unlikely to get it to the Treehouse without some serious persuading!

     

    Matt

    Matt (they/he) was a big part of establishing the Treehouse tabletop roleplaying initiative, and was responsible for keeping track of the extensive and constantly expanding lore of our Solken multi-table D&D world. With an eye for worldbuilding and detail, they take pride in trying to adapt every campaign to the individual players’ characters. As such they can be usually found staring into the middle distance in a futile attempt to anticipate every unlikely and chaotic decision the players will take. Matt’s next project is the highly anticipated Summits of Steam and Steel Season 2, a game whose players enjoyed it so much, they petitioned for a sequel!

     

    Henry

    Henry is the Treehouse’s self-proclaimed bad boy of roleplaying. If you’re not happy with your character having a fluctuating number of limbs/tentacles then maybe don’t let them wander into one of Henry’s games! Venturing forth from the sleepy town of Ashbourne in search of new players to torment, he’s perched and nestled at The Treehouse. The first delve into Henry’s imagination, the Level One Encounters one-shot, twisted players’ happy fairy tale memories into a Cronenbergian nightmare. The coming-soon sequel promises to be a walk into some very old, very dark woods. And then, just when you begin to feel safe again… the monsters appear!



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  • Confessions of a Board Game B***h — The Treehouse

    Confessions of a Board Game B***h — The Treehouse



    Hello and welcome to another instalment of the Treehouse’s agony aunt column! This one is slightly unusual because instead of a ‘Dear Auntie Chella’ letter, today I have a conversation for you which I had with a friend who approached me about her issue in person. 

    I will now relay this conversation to you, dear readers, in case it helps someone else.

    BGB: You’re writing an advice column for the Treehouse now?! Can you help me out with something? 

    Chella: Sure – go for it. 

    BGB: Help! I’m a board game bitch! 

    Readers, I blinked a few times. We took the rest of the conversation to text messages later that day, in a conversation that the aforementioned ‘BGB’ has happily agreed that I can share. 

    Chella: So you say you’re a what now?

    BGB: A board game bitch.

    Chella: And you are happy for me to call you this in print?

    BGB: Yes, I own it.

    Chella: And let me just check, can anyone of any gender be one of these?

    BGB: Oh definitely, but I claim the crown.

    Chella: What are your worst symptoms of board game bitchiness? Bitchery? Bitchdom? Bitchhood? I am not used to saying this word. Please stop me. 

    BGB: My worst symptoms? Irrational squeakiness, incandescent fury, and lengthy sulking. I get far too mean and loud and competitive and make my husband hate me. We are only able to play Monopoly once a year. I just lose my temper and can’t control myself.

    Chella: Okay… which games are your worst culprits?

    BGB: Monopoly, of course, and Dobble and Snap I get far too into.

    Chella: Well are there any games that I don’t know… soothe you? 

    BGB: Any that soothe me? Not sure I’ve really found any yet 😂  I do like Fungi though. Who can get angry about pans of butter?

    Chella: That is an excellent point. OK, I think I can help you. Usually the letter is anonymised by me naming the person after an alliterative part of Sheffield, in traditional agony aunt style. Are you happy to be The Board Game Bitch of Broomhill?

    BGB: Sure… close enough.

    Chella: Very well, check the Treehouse blog for my reply.



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  • why card games rock — The Treehouse

    why card games rock — The Treehouse



    Pick a Dog

    Pick-a-Dog (1-5 players) (and its virtually identical sibling games, Pick-a-Pig, Pick-a-Seal and Pick-a-Polar-Bear) rely on high-speed matching, but with storytelling added in. You start by laying out a grid of cards that may match, but mostly don’t quite match exactly. Each player turns over their own starting card, which sets off a round of looking for matches in the grid. Though there are some exact matches, all the pictures are similar – they feature a dog who can be depicted with a number of binary qualities: looking pale or having a tan, holding popcorn or not, wearing sunglasses or not, standing near to you or far away, and using one hand or two hands.

    The twist in the matching portion of the game is that you can only match cards that are either exact, or follow a sequence where there is only ONE change per card (you can go from sunglasses to no sunglasses, for example, but not from far to near at the same time). The free-for-all ends when there are no more matches to make (but watch out – if you call it and there are still more matches available, you forfeit your hand and can’t score any points that round, while the other players can resume).

    Scoring is fun and unusual (or at least it is the way we teach it at The Treehouse!): to prove you’ve made a true sequence with only one difference on each card, you have to tell a story about your buddy the dog that reflects the pictures as you reveal them. It’s very cute indeed. If you discover mistakes in anyone’s sequence, those cards go straight into the discard pile. The players earn the cards they’ve proven are in a sequence each round, and at the end of the game, the winner is the one who has the most cards.



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  • Crowd pleasers — The Treehouse

    Crowd pleasers — The Treehouse



    Finally, Klask is pretty much guaranteed to score big with the sort of crowd who prefer bar room-type games like darts, pool or table football to more serious, thinky board gaming. Basically air hockey but with magnets and a ball, Klask involves enough skill to get the competitive juices flowing, but with rules that will immediately feel intuitive and super-appealing components that everyone will want to get their hands on. A staple of our traditional New Year’s Eve celebrations at The Treehouse, the festive season just wouldn’t be complete without a Klask tournament at some point!

    Find all of the above and LOTS more in our shop, or come and test-drive pretty much every game we have for sale in the café if you’d like to try before you buy! We’ll be posting more Top-5s to provide Christmas shopping inspiration throughout December… watch this space. For more ideas, you can also check out last year’s Treehouse Christmas games guide here.



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  • Stocking Fillers — The Treehouse

    Stocking Fillers — The Treehouse



    A Little More Conversation is something totally different. This card ‘game’ is barely a game at all, but more of a series of conversation starters, designed to get everyone around the table talking, reminiscing and generally enjoying each other’s company. Sometimes, we think that’s really the main aim of bringing a game to the table, and this one will take you straight there with no hesitation, deviation or repetition!

    You can find all of the above and plenty more in our shop. Use the ‘stocking fillers’ filter if you only want to browse the small ones! Check back for more ‘top 5’ suggestions in the run-up to Christmas…



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  • Deciding the Fate of the Tsarist Regime – InsideGMT


    This is the third in a series of InsideGMT articles from Paul Hellyer about his board game Tsar, currently on GMT’s P500. You can view the previous article here.

    As the new year arrived in 1917, Russia’s Tsarist regime teetered on the brink of collapse. Public opinion had turned against it, its army was struggling in the war, the economy was falling apart, and the capital of St. Petersburg faced a severe food shortage. In late February, hungry workers went on strike, demonstrated in the streets, and looted granaries. The regime had a short window of opportunity to reassert control, but this proved difficult. Its most loyal and capable troops were away at the front, as was the Tsar himself. The Tsar boarded a train and ordered troops to return to the capital, but they all found themselves stranded on blocked railway lines. Some officials in St. Petersburg tried to use the unreliable local garrisons to put down the disorder, but the soldiers instead murdered their officers and joined the revolutionaries. Left with few options, Nicholas II signed his abdication in a railway car.

    Tsar turns the clock back to 1894 when Nicholas acceded to the throne. To give players a chance to set a different course, the game aims to capture all the factors that ultimately led to revolution: public support, army and navy morale, the regime’s political authority, agricultural and industrial production, infrastructure, and external factors like international trade, foreign relations, and war. As you play the game, you can change the inputs and watch the game engine respond. The end result might be a repeat of history, a stable constitutional monarchy, a fearsome police state, or a dysfunctional kleptocracy hanging by a thread.

    In this article, we’ll take a closer look at these factors and discuss how they relate to the regime’s survival, starting with popular support. Tsar measures this in four key “Sectors”: Nobles, Bourgeoisie, Peasants, and Proletariat. One angle is the total level of support in all Sectors combined, which determines the number of Unrest Cards featuring incidents such as general strikes, demonstrations, insurrections, and assassinations. Another angle is the level of support in individual Sectors: different Sectors react differently to various events, with the Bourgeoisie and Proletariat Sectors tending to be more troublesome for the regime. Low support in the Bourgeoisie Sector triggers a recurring Dissidents Coded Card and trouble in any Sector can trigger economic production penalties. If support in any Sector falls to zero, players draw a Revolt Coded Card which can rapidly lead to revolution if left unchecked.

    But as an autocrat, the Tsar doesn’t necessarily rely on public support. Depending on other factors, his regime might easily counter domestic opposition. One of these other factors is army and navy morale, which are also tracked on the game board. High morale gives the regime more options to suppress unrest, while low morale can itself become a threat to the regime—when morale reaches zero in the army or navy, a Mutiny Coded Card appears which can be even more dangerous than a civilian revolt. Another key factor in the military is the availability of “Elite Army Units” that always remain loyal. They’re based on historical regiments such as the Preobrazhensky Life Guards Regiment that drew their officers from the ruling class. Assuming resources and transport are available, these units can always be used to put down strikes, revolts, and mutinies. But with only three of these units, they can easily become overstretched. That’s especially true in wartime, when players are pressed to send the best units to the front, meaning they are not immediately available to respond to internal threats —creating the same situation that brought down the real-life regime in 1917.

    The regime’s political authority is measured by the game board’s “Order Tracker,” shown on the left. It consists of two parts, Fear and Reverence. Order is defined as Fear or Reverence, whichever is higher. Fear refers to the government’s reputation for oppression and punishment, while Reverence depends on the Tsar’s mystique and cultural authority. The former is easier to manipulate, but actions that raise Fear tend to come with negative side effects. For instance, you can opt for capital punishment for the Tsar’s enemies, but this lowers popular support in the Bourgeoisie Sector, which may trigger a dissident movement and lead to a cycle of violence.

    When Order is high, the regime has more options for responding to domestic unrest and maintaining military discipline. The highest levels of Order often allow the regime to silence its critics through surveillance and intimidation without the expenditure of any resources, whereas lower levels of Order may restrict the regime’s ability to issue orders and use force. But as with popular support, high levels of Order aren’t necessary to the regime’s survival. If you govern through popular consent, you won’t need the most oppressive options offered by the highest levels of Order. This lets players aim for different models of stability, emphasizing either Order or popular support. Having a coherent strategy is important: once you commit to political reforms that lower Order, you need to be vigilant about maintaining popular support; if you alienate the public through Fear, you need to be vigilant about maintaining Order. Avoiding extremes is also important: you need to maintain some minimum levels of popular support and Order, regardless of your strategy. High levels of public unrest will eventually exhaust the regime’s resources, while a total collapse of Order triggers Coded Card 8 (Revolution) and ends the game.

    As in real life, the Russian economy affects the regime in many ways, and so the game leans heavily into resource management. The game board tracks five key economic factors: income for the treasury, grain production, industrial production, transport infrastructure, and international trade. The regime needs cash to pay troops, advance government programs, and keep the Tsar happy. Grain keeps the population fed and functions as Russia’s key export in this time period. Industrial production drives the development and maintenance of infrastructure and the military. A robust transport network is needed to move grain from the countryside to cities and ports, to move and supply troops, and keep the economy functioning. Finally, the regime can’t import or export unless it has willing trade partners and infrastructure such as ports and canals. Through trade, the regime typically earns cash through grain exports and (on occasion) pays to import industrial products. All these economic factors are connected and a failure in any one area will weaken the regime, either by angering the public, lowering army and navy morale, or limiting the regime’s scope of action.

    Finally, the game tracks foreign relations, which affect trade levels, access to credit, the regime’s reputation, and the possibility of war. France was Russia’s main creditor in the late Tsarist period, and the game creates opportunities for loans and financial aid conditioned on relations with France. Relations with other countries can affect trade, Russia’s international objectives, and the possibility of armed conflict. The game captures the effects of soft power through state visits and reactions to Russian cultural exports; it also captures foreign reactions to Russia’s internal politics—for example, too much political oppression can trigger rebukes from Western nations, while performative amnesties can improve the regime’s public image abroad.

    War is the most significant aspect of foreign relations. In real life, war was the catalyst for revolution, both in the incomplete Revolution of 1905 and the February Revolution of 1917. The story of Nicholas II could not be told without war. When war arrives, you’ll find that Tsar is not a traditional war game of tactics. War is treated at a macro level and we’re mainly concerned with the way it affects the regime’s stability. Outcomes mainly depend on the economic factors discussed above and the regime’s ability to maintain internal cohesion. The effects of war may include blockades, public unrest, economic stress, and faltering morale. For instance, drafting a large army reduces grain production, while at the same time increasing the cost of paying and supplying the soldiers. In short, war will present the regime with a stress test.

    Notice how all these different factors are connected to each other. Nothing stands on its own. Popular support affects the economy, and the economy affects popular support. The regime’s troops need economic support, and the economy may need the intervention of troops. Healthy trade levels are needed to develop the economy, and a healthy economy is needed to develop the infrastructure for trade. So there are many feedback loops in the game, which can be either positive or negative. When things go badly, the game reaches a tipping point where revolution becomes inevitable.

    Watching these feedback loops and forecasting the regime’s stability is an important part of gameplay, because victory conditions are radically different for games that end in revolution and games that end with the Final Scoring Card. If the regime survives to the end of an Era, players win according to their VP scores, based on their Faction’s policy objectives. Gold that they stole through corruption is deducted from their VP scores. But in multiplayer games, revolution ignores VP and awards victory to the player with the most gold. You’ll need to closely watch the game board for signs of collapse and consider what the other players are thinking: when everyone at the table loses faith in the regime’s survival, they’ll focus on hoarding gold through corruption, which accelerates the slide into revolution. In solitaire games, revolution means you lose—so your first goal is always to avoid revolution, which requires careful long-term planning and perhaps some desperate measures at the end.

    As a final note, I’ll share some thoughts about the regime itself and its depiction in the game. In real-life terms, was the regime’s collapse in 1917 a good or bad outcome? My feeling is that the late Tsarist regime occupies a morally ambiguous space, comprised by its many atrocities and failings, and yet relatively benign compared to the Stalinist regime that followed. But whatever my views may be, I don’t try to convey them through the game. My aim as designer is to make a game that’s enjoyable to play, historically accurate, and thought provoking. I’m content to let players create their own narratives through the choices they make and form their own opinions about the regime’s place in history.

    In the next InsideGMT article in this series, we’ll focus on the players’ factional objectives and scoring.


    Previous Articles:

    The Historical Figures in Nicholas II’s Regime

    Historical Events in Tsar



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  • Festive Top Fives: Gifts for Board Game Geeks

    Festive Top Fives: Gifts for Board Game Geeks


    Got a geek in your life who’s hard to shop for? Welcome to our latest Festive Top Five: Gifts for Board Game Geeks. The following are all fairly recent releases or slightly obscure so it’s unlikely they’ll already own them, and they are also all very good indeed!

    The Red Cathedral is a bonified ‘small box stonker’ that manages to pack all the complexity, interest and replayability of a full-sized Euro game into a very moderately sized (and priced) package. The components and artwork are excellent too.

    Welcome to the Moon is a full-blown sequel to the excellent Welcome To. This time, the box comes complete with ALL SORTS of goodies, including eight sets of different player sheets (all dry-wipe compatible) and a ‘choose your own adventure’-style campaign mode. Deciding where to write a number has never been so much fun!

    Watergate is a super-thematic, two-player game in which one player takes on the role of the Nixon administration trying to bury signs of wrongdoing, and the other the free press trying to uncover what they’ve been up to. With great components, bags of tension, and stacks of historical detail, this game tells a memorable story every time.

    Fort is a curious and characterful deck builder about making a cool fort, eating pizza and making friends – all the most important aspects of being a kid. Don’t be fooled by the theme though: there’s a grown-up level of depth and interest here, not to mention exceptional artwork on every card.

    Quest is a remake of Avalon, one of our favourite hidden role party games in which loyal servants of King Arthur pit their wits against wily Minions of Mordred who are trying to secretly sabotage their effects without revealing themselves. Quest brings stunning artwork into the mix as well as a STACK of new roles to keep things spicy over multiple play-throughs.

    Find all of the above and a whole lot more in our shop. We’ll be back with more ‘top fives’ in the next few days as the countdown to Christmas continues…



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  • Family Games — The Treehouse

    Family Games — The Treehouse



    The Adventures of Robin Hood is another new one, this time an elaborate adventure game packed full of surprises. Players take on the roles of Robin Hood and his Merry Men and embark on a range of missions to help the poor and thwart the Sherriff of Nottingham’s evil schemes. A hardback story book and a great big board full of secret advent calendar-style doors to open are just a couple of the delights in store in this box!

    Browse the full selection of games in our shop here or use the ‘family games’ filter to narrow down your search. We’re hoping to manage one more ‘Top 5’ list before Christmas arrives… watch this space, and click back through our previous posts for more suggestions.



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  • Festive Top Fives: Two-player games

    Festive Top Fives: Two-player games


    Maybe you’re planning a low-key Christmas for two this year… or maybe you’re after a back-up in case the big get-together doesn’t quite go to plan. Great games for two players are always useful to have around in our experience, and they make excellent gifts too! In our final ‘top five’ of the year, here are some of our current favourites…

    Bridget is both a neat and addictive strategy game and a lovely object in its own right. With simple rules (just build a path of your colour from one side of the board the other while blocking your opponent), addictive gameplay, and tactile, appealing pieces, this is a game that will be enjoyed by new and experienced gamers alike.

    Hive is a near-perfect two-player strategy game in our humble opinion! There’s no luck involved here: purely decisions made by players, who take turns to either add a piece to the hive or move a piece they’ve already added, with the aim of blocking in their opponent’s queen bee so that she is eventually surrounded by pieces. Durable, compact (even more so if you go for the pocket-sized version) and extremely replayable, this game will really stand the test of time.

    Azul: Summer Pavilion is technically a game for up to four players, but it works so well for just two that we thought it was worthy of a mention here. All three of the Azul series are excellent games for two people, but this one just might be our favourite given focus on individual strategy rather than blocking your opponents (try the Stained Glass of Sintra version if that’s more your bag!). A gorgeous, medium-weight abstract strategy game that’s as interesting to play as it is beautiful.

    Thrive is a fairly recent addition to our collection, but after testing it out we’re very keen to play it some more! The concept here is very simple: aim to capture your opponent’s pieces until they have only one left, then you’ve won the game. All the pieces are identical to begin with, able to move only one space forward. However, on each turn as well as moving a piece, you modify two pieces of your choice by adding pegs, giving them more movement options on future turns. Elegant in every way as well as novel in concept, we’re very impressed with this one.

    And now for something completely different… Pucket is a frenetic, hyper-competitive dexterity game about flicking wooden pucks across a board using elastic. Players both start with eight pucks on their side of the board. All you have to do to win is get all the pucks to you opponents side at the same time… despite them constantly trying to fire them back at you! It’s exactly as chaotic and maddening as it sounds, but tremendous fun nonetheless, and it makes a great spectator sport too if there are more than two people in attendance.

    Thanks for reading our top 5 series. We hope you’ve found it useful. Wishing you a very happy and fun-filled Christmas, however many players it involves!



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